reredos etymology

Etymology and Origin of "Reredos"

The term "reredos" has Latin origins:

• Re-: Meaning "back" or "behind"
• Dos: Meaning "back"

Meaning

A reredos is a decorative screen or altarpiece located behind the altar in a church or chapel. It typically depicts religious scenes or figures and serves as a backdrop for the altar.

Usage

Reredoses have been used in churches since the early Middle Ages. Initially, they were simple wooden panels, but over time, they became more elaborate and were often made of stone, marble, or other materials. They can vary greatly in size and design, from small, simple screens to large, ornate structures that fill the entire wall behind the altar.

Religious Significance

Reredoses play an important role in Christian liturgy. They are a visual reminder of the presence of God and the saints and can help to focus the attention of the faithful during worship. They can also serve as a teaching tool, depicting biblical stories and theological concepts.

Architectural Significance

As architectural elements, reredoses contribute to the overall aesthetic impact of a church. They can be used to highlight the altar as the focal point of the sanctuary and can enhance the architectural features of the surrounding space.

Examples

Some famous examples of reredoses include:

• The Ghent Altarpiece by Jan van Eyck (St. Bavo Cathedral, Ghent, Belgium)
• The Isenheim Altarpiece by Matthias Grünewald (Musée d'Unterlinden, Colmar, France)
• The Sistine Chapel Reredos by Michelangelo (Vatican City, Rome, Italy)

reredos relate terms

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