Etymology The word "altorilievo" is derived from the Italian phrase "alto rilievo", which translates literally as "high relief".
Meaning and Origin Altorilievo refers to a sculpting technique in which the sculpted figures or designs project significantly from the background, typically by more than half their actual depth. This technique creates a strong sense of three-dimensionality and depth, and it is often used to depict scenes or figures with complex details.
The technique originated in ancient Greece and Rome, where it was employed in monumental sculptures, reliefs, and architectural decorations. Altorilievo sculptures were often used to decorate temples, public buildings, and commemorative monuments, and they allowed artists to create elaborate and realistic representations of mythological scenes, historical events, and portraits.
Altorilievo continued to be used throughout the history of art, and it was particularly popular during the Renaissance and Baroque periods. In the 20th century, artists such as Auguste Rodin and Henry Moore experimented with altorilievo and other sculpting techniques to create innovative and expressive works of art.
Examples of Altorilievo Some famous examples of altorilievo include: * The Parthenon Frieze, Greece (5th century BC) * The Trajan's Column, Rome (2nd century AD) * Donatello's "David" (15th century) * Bernini's "The Ecstasy of Saint Teresa" (17th century) * Auguste Rodin's "The Gates of Hell" (19th century)
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Etymology The word altorilievo is derived from the Italian phrase alto rilievo which
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